Never heard of ソフトバンク株式会社? How about SoftBank? It’s a Japanese telecommunications, internet, finance, media, and marketing zaibatsu now looking to reach across the Pacific pond to snatch a controlling share of #3 U.S. wireless company Sprint Nextel.

Shaking up the mobile market
The deal could see Softbank take a 70 percent stake in Sprint worth more than 1 trillion yen ($12.8 billion). It would allow the combined company to then take a controlling stake in the Sprint minority-owned, and LTE spectrum heavy, Clearwire. They could then use their new global muscle to grab T-Mobile or MetroPCS—and even leverage better terms from hardware manufacturers like iPhone-maker Apple. In fact, the chart below shows how the new company ranks on the global stage.

Business value aside, I’m looking forward to the consumer value of importing the quirky Softbank advertising campaign that features the very non-conventional Shirato family. The mother and sister are Japanese, the brother is black, and the father is a cute white dog. Otosan, meaning Father, is the fluffy, canine patriarch of an otherwise normal human family—and the four-legged star of one of Japan’s most successful advertising campaigns.

The dog days of mobile marketing
Since the first “Shirato Family” commercial in 2007, the long running campaign has produced over 130 episodes. The campaign was created by Creative director Hiroshi Sasaki, TV planner Yoshimitsu Sawamoto, and SoftBank president, Masayoshi Son. The well-loved campaign is seen as a critical part of  SoftBank’s climb from obscurity in the mobile market to rivaling Japan’s largest carrier, NTT DoCoMo.

I welcome the Shirato family to the United States. Other than the beautifully branded T-Mobile girl (recently spared from marketing oblivion when the AT&T deal fell through), other US mobile carriers offer bland, boring, uninspired, and undistinguished marketing. Like so many other areas—manga and anime to video games and pop culture in general—Japan is a leading purveyor of not just technology, but a unique Japanese brand.

That brand may originate in the land of the Rising Sun, but it’s a new, global, post-national culture that Dr. Koichi Iwabuchi has called “mukokuseki” (むこくせき). The word, originally used to describe anime, has been extended across other cultural frontiers. Mukokuseki can be translated as “odorless,” but in this context it means a person who is “stateless” or “without country of origin.” It refers to the way Japanese cultural products can be seen to erase national history and identity in an attempt to more fully integrate with a global audience.

The next big global telcom brand
If there is a CEO who could bring to bare both the business and branding skills needed to build a new global telecom brand, it’s Masayoshi Son. He’s known as a lover of all things American. Son moved to California at age 16, going to high school in San Francisco, and attended the University of California in Berkeley. He was infected by the Silicon Valley virus, and exhibited a rash of entrepreneurial ideas that’s made him the second richest man in Japan.

One of the big advantages of Softbank is its exclusive Japanese iPhone marketing deal—helped along by a friendship with Steve Jobs. Like Jobs, Son’s success, in part, came from a sense of being an outsider striving for greatness, fueled in part from being a Korean child raised in largely homogeneous Japan. His particular mukokuseki could be advantageous in taking a combined Softbank + Sprint + T-Mobile to a dominant position that ties together global consumers with a post-national brand that’s a perfect fit for this Pacific-dominated century.

If Son has his way, it’s only a matter of time before we see the English versions of these Softbank commercials:

Doc: “He’s recovering so fast, its hard to believe he’s human.”
Nurse: “Yeah Doc, I can’t believe he’s human”
Mother: “Yeah…”
Daughter: “Dad’s a genuine human, isn’t that right?”
Dog: “I’m starving”

AT&T announced it will buy T-Mobile USA from Deutsche Telekom AG in a $39 billion cash-and-stock deal that would make it the largest cellphone company in the U.S.

There are already outcries against the deal over concerns of an AT&T/Verizon duopoly and how that negatively affects consumer choice in the wireless marketplace. Twitter is atwitter with mocking comments such as @MattBinder‘s “Nothing says ‘we love our customers’ like airing commercials about how AT&T blows & then selling the company to them.”

Speaking of commercials, the biggest loss will be the end of Carly Foulkes as the T-mobile girl. Carly Foulkes, a Ralph Lauren model, stepped in to the role once held by Catherine Zeta-Jones. Of course having a beautiful model as a spokesperson is rarely a bad thing. But she’s also beautifully branded in T-Mobile magenta dresses—providing instant brand recognition.

As pointed out by @MattBinder and others, the T-Mobile ads consistently make fun of AT&T for it’s widely panned quality, dropped calls, and lack of 4G service. The commercials are witty, and effectively convey the message that T-Mobile has superior service at lower prices.

Without T-Mobile in the wireless ad rotation, we’re left with largely weak and bland ads from AT&T, Verizion, and Sprint. It might be a while until we must say that final goodbye to Carly Foulkes, the beautifully branded T-Mobile girl, but I’m already in mourning—and I’m considering wearing a PMS 214 dress to the funeral.

Dennis Hopper’s best TV spot

May 29th, 2010 | Posted by admin in advertising | culture - (1 Comments)

Dennis Hopper is known for his iconic roles in Easy Rider, Apocalypse Now, and Blue Velvet. He was an out-there bad boy on the counter culture edges, and became a new kind of Hollywood rebel.

There are lots of tributes about his unforgettable film rolls. But I want to honor his role a spokesman for broadband company Broadwing. Who else could have made a pitch for hosting and IP connectivity almost metaphysical and spiritual. Here are a few of the commercials I’m talking about:

When Copywriters Kill Dogs

March 17th, 2009 | Posted by admin in advertising | funny ha ha - (0 Comments)

If you’ve seen a recent T-Mobile commercial that features a grumpy old man complaining to his wife about their mobile phone contract, did you catch what they said about the dog?
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Husband: Great, another contract. You know I hate commitment.

Wife: We’ve been married forty years.

Husband: Thirty-eight. What if I want some variety?

Wife: We’ve had eleven bulldogs, all named ‘Steve.’

Okay…think about that for a second. 38 divided by 11 is about 3.5. Bulldogs live about ten years, so what the hell are these people doing to their dogs? Someone call the Humane Society, pronto.

Of course, this old couple isn’t real. They’re actors. And their lines were written by a copywriter who either never grew up with dogs or who’s father ran a dog murdering business. But even if the copywriter was raised by a doggie death-dealer, where were the proofreaders, account managers, and even the client to think about these poor fictional bulldogs being killed. Does nobody in the T-Mobile marketing department own a dog?

Ultimately, it’s the copywriter’s fault. One little slip at the keyboard, and I’m not thinking about T-Mobile phone service—I’m thinking about dead dogs. So, the lesson for copywriters: every word, every idea, everything you do tells a story. Make sure it’s a good story. And dead dogs are never a good story.

Boom and Bust

June 25th, 2008 | Posted by admin in business | culture - (0 Comments)

This is a repost from 2001. Given the housing markets and economic instabilities, it seemed like we should give it another read.

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Boom and bust. The words conjure black and white images of giddy 1929 flappers, flasks of bootleg booze, and horrified stock traders watching their speculative fortunes fall like yesterday’s tickertape. Our generation’s boom and bust sent scooter-riding, Starbucks-sipping Americans clicking to Monster.com seeking ever bigger paychecks then bemoaning the loss of their stock options and plans to retire at 29.

Like Icarus, high-flyers rose magnificently only to fatally fall back to the old economy’s terra firma. Companies such as MarchFirstNapster, and Kozmo.com, stormtroopers of a seemingly inevitable economic and cultural blitzkrieg, crumbled under the weight of unattainable dreams—a modern tragedy worthy of the Greeks.

The sharp prick of reality that finally popped the inflated bubble of VC funded, speculative start-ups shouldn’t have surprised anyone with enough smarts to run a lemonade stand. In hindsight, it’s appallingly obvious that profitless companies worth billions on paper and nursed along by Pollyannaish investors are about as competitively viable as a three-legged gazelle. A new and sustainable business model needed to emerge for legitimate and innovative ideas to prosper in the marketplace.

But how could a boom have gone so wrong? Were the dot com dreams of Net-driven innovation and boundless optimism for the future just the folly of a pampered, technologically obsessed American generation out of touch with economic reality? Sure, a little bit. But booms and busts are a phenomenon that can happen to anyone in any industry.

Pipe dreams and tulip troubles
Culturally, telephone companies are as far from the dot com image as you can get—all geek, no chic. Yet they also succumbed to the boom and bust cycle.

Predicting an exponential growth in data traffic with the rise of the Internet, Qwest spent tens of billions of dollars to lay as much new fiber optics as the combined existing networks of AT&T, MCI and Sprint. Other billion dollar spenders like Winstar, e.spire, Teligent and Covad went bankrupt building fiber networks to compete with local phone giants like Verizon or Southwestern Bell.

All these new fiber networks required routers and switches. So equipment makers like Cisco and Lucent became Wall Street sweethearts with market caps to prove it.

The entire industry bought unabashedly into a ‘build it and they will come’ mentality. The result was a staggering glut of fiber capacity that all the voice calls, spam, porn, warez and assorted silly multi-megabyte Quicktime movies that North Americans email to each other didn’t come anywhere close to fully utilizing.

Profits evaporated in a previously robust industry. Long Distance prices fell so precipitously that telecom icon AT&T was forced to break into pieces just to survive. Lucent is similarly plotting how to fashion a raft from its shipwrecked stock price.

But booms and busts aren’t confined to technological sectors or even this century. Another older and non-technological example of economic bubbles is what history has dubbed the Great Dutch Tulip Fiasco. Along with windmills, dykes and wooden shoes, 17’th century Holland produced top-notch tulips. In fact, Dutch tulips were so highly prized that the market went insane—for a while at least.

Speculative investors leveraged all they owned to buy into the tulip bulb market. If you thought dot com stocks were through the roof, wait till you hear that really, really nice tulip bulbs once went for the equivalent of tens of thousands of dollars. Finally the absurdity of all this occurred to merchants and a cascade of sensibility returned the tulip market to reality. But, in doing so, many were left penniless.

The cosmic connection
Economies, markets and individual companies actually behave with the comforting regularity of any ordered system. Corporations compete according to the same Darwinian rules that any living species must follow. Creatures or markets that expand too rapidly will overpopulate, consume too many scarce resources and suffer the consequences.

Like stars that transform their nuclear fuel into new elements then explode them across the galaxy to form new suns and planets, economic booms forge new business models, technologies, attitudes and workers that become the fuel for future growth.

Workers of failed dot coms are using their knowledge to start new ventures and invigorate older stable companies. Innovations like broadband access, online shopping, digital music and Net-enabled B2B transactions aren’t going away because a company that popularized it went belly up.

Booms and busts are inescapable cycles. Like good and evil or Yin and Yang, they must be accepted as a package deal. The bust times are the price we pay for the advances that come during the boom.